A years hard work has all been worth it as I showcase my final project that truly sums up my style and passion for floral beauty in all its elegance and mystery. |
Naomi Peace's Textiles
My Daily Life
Thursday 19 June 2014
Exhibition Show!
Monday 16 June 2014
Exhibition time!!!
Hi guys finally after this long project its nearly time for my exhibition to show off all my hard work. If any of you are interested in taking a look it will be on from the 23rd to the 27th of June 2014 (Barnsley College, South Yorkshire). I will be uploading pictures of the exhibition once it has been put up...
(Exhibition may possibly be extended to a later date.)
(Exhibition may possibly be extended to a later date.)
Monday 2 June 2014
Wednesday 28 May 2014
Monday 26 May 2014
FMP Evaluation...
Evaluation
Originally I wanted to base
my project on Tchaikovsky’s ballet, but found that it would be quite difficult
to do a whole project on it as it was quite broad of a subject. I also found it
difficult with the design aspect of things to do with ballet and found that
getting research for this topic would be quite difficult, therefore I changed
my mind.
The focus of my FMP was based
on the book ‘The Language of Flowers’. My focus was to present floral beauty in
a number of ways from art to fashion, from gardens to photography and from
traditional to contemporary floral design. I chose this theme because daily I
was inspired by the utter magnificence of floral design; I also appreciated
each pattern and stunning selection of colour and variety that flowers
presented. I decided I wanted to explore this amazing creation further by
basing my FMP on flowers. The theme I started of with was to explore the
spiritual healing and emotional aspect that flowers had to offer. I also wanted
to research the meanings of flowers and how we as humans relate to them and
what each flower represents in life.
I researched this wide topic of flowers by
taking plenty of primary research from gardens by taking photographs in local
parks and even in my own garden. I also took photos of my clothing that
included floral prints on them to show how fashion includes flowers. Other
research I took was from secondary and drawing from observation, I researched
into loads of flower species and artists and designers that use there talent to
portray flowers in many different ways. I also drew from observation from the
book ‘The Language of Flowers’ I finished each drawing of flowers in
water colour. I took loads of research of the internet to research artists and
designers and I also took out some books from the library on flower arranging
and floral pattern design. All of this research I creatively documented it in
my sketchbook.
I developed this research by creating four moods boards full of
colour and imagery based on different aspects on the topic of flowers including
the book I researched. These sheets included floral wallpaper samples, images
and different Medias. From these mood boards I created two visual sheets that
were full of pattern and colour; I decided I wanted to design contemporary
flowers to make my project slightly more quirky. From these sheets I developed
three development sheets that took the pattern from my other sheets, by perfecting
them even more ready for my final ideas sheets that would show my final piece
ideas. This would then be turned into a screen ready for me to screen print
this design onto lengths of fabric. I also created two artist/ designer
research sheets based on people that most inspired my project. My design was
mainly based on one of my artist research sheets William Morris. I decided I
wanted to take his style further into my project by making it my own and using
more contemporary colours and patterns for my screen. I took the contemporary
path throughout my project rather than the traditional path just to show
diversity. I also took the designs of my visual and development sheets into my
tracing. My sampling was also inspired by the colours of my sheets as well. The
research that I found in many floral inspired artists helped me to develop many
samples such as felted flowers and knitting which I will take further when
doing my final piece. Doing knitting will improve my grade in my weaving unit
to get a better overall grade in my FMP. I knew I wanted to show a variety of
textile processes in my exhibition by screen printing onto fabric and creating
felted and knitting samples that all included flowers on them. I was influenced
to go ahead with this from all the variety of processes I looked at from all
these different artists and designers plus research that I undertook myself. I
admire all the different people that bring there creativeness to young
designers such as myself. This led me to wanting to do the same thing and this
meant I would create and present a number of textile processes to present in my
exhibition.
All the patterns and colour from my floral research influenced what
I was going to produce because I was inspired by the stunning detail that makes
up a big part of nature. The only constraint that affected my design was money
because I bought some fabric and I ran out of it pretty quick meaning that I couldn't do any trial runs before creating my final piece as the rest of my
fabric was used for sampling and my business cards. I was very fortunate as a student
because I didn't have anything in my life like a job that took up any of my
time meaning I had plenty of time to work on my designs and ideas. Being in the
print room was pretty stressful due to space and the amount of people, but as
far as my other sampling went such as felting and knitting, I got them out of
the way quite early in the project so that I could focus on my printed samples
and printed final pieces.
The only problem solving I encountered was with my
screen because some of the tiny detail didn't expose properly so I painted it
in myself, also sometimes when I printed my samples the screen was blocked due
to the thicker permaset pigment so I had to hand paint some of the detail onto
the fabric where the pigment had not gone through. Another problem was that the
pigment got through the areas where the emulsion hadn't covered the screen
properly leaving a big line on my prints. To solve this I placed masking tape
in those areas. I decided that due to time and money I wouldn't be able to
produce what I wanted to produce so I decided to go with something easier but
still effective that I am happy to continue with. Experimentation that I
undertook was pressed flowers, hammered flower prints, heat transfer, wet
felting, knitting, weaving, needle felting, lino cut, screen printing, puff binder
and batik. My experimentation that I did in the print room was firstly with
puff binder but I eventually realised that puff binder doesn't work well on top
of permaset pigment. This is because it sits on the fabric rather than soaking
into it which is exactly what puff binder does. I didn't really know how to
solve this problem other than layering the prints to disguise the mistakes but it didn't really work so I just stopped using puff binder. I wanted to carry on
using permaset pigment because it’s darker or lighter in colour (especially for
dark fabrics) making it look really effective. So I didn't really have a choice
with the puff binder. I experimented on various materials such as calico,
cotton, heavy viscose satin and devore velvet. The best result I got was from
the calico just because the durability of the fabric was a lot stronger than
any other material so I decided to buy two metres of heavy calico. Only problem
I had with calico was that it was very hard to dye because it doesn't soak up the procion dye as quickly as cotton would meaning I had to go over it a few times
to get the best result.
If I had no time constraints I would produce a large
printed piece of fabric using the same material, but because of time and print
room space I didn't think this could have been possible and I would have had
extra pressure do get it perfect. I would also make my final pieces very
tactile by adding numerous textile techniques onto them like embroidery. Because
of time I am making three printed lengths of fabric finished with wet felted
flowers sewn onto them. I would have also created some smaller samples to put
in frames to sell to the public. If I had plenty of extra time I think I would
have experimented more by using techniques such as crochet to make a 3D bunch
of flower to put up in my exhibition. However the skills I do have will
compliment my final pieces perfectly. I would have done a plain sample as well
as coloured samples but I didn't have any more fabric left due to money so I
had to stick with the fabric that I had already dyed. Throughout this project I
researched many artists and designers but the main one that stood out to me was
William Morris for his amazing printed textiles. His work links with my work because
he was often influenced by nature on county walks and would often draw from
observation and create beautiful designs that are still popular today. William Morris
has hugely influenced my work especially my tracings for my final pieces
because I like how his designs are more stylised rather than traditional. All
the other artists and designers have linked with my work because they all
create stunning flowers using either fashion to portray them or more textile
processes. Isabella Hoffmann who is a felting artist inspired my wet felted
flowers idea because she creates needle felted and wet felted flowers. I
decided to make my own for my knitted scarves and eventually my final pieces.
On my final piece I will be creating numerous
samples all totally different, because I liked more than one of them; I wanted
to print these samples onto larger pieces of fabric. I decided I wanted to
create windows of printed fabric using shop bought frames to display them in
and possibly some lose pieces of fabric to hang up. I’m still not sure of the
final intention for my final piece but I guess I will know what to do and how
to present them in my exhibition once they are completed. My mind changed quite
a lot during this project about my end result but because I liked so many prints
I just wanted a variety of final pieces/ samples to display in a creative way. All
I need to do is just make the raw materials and then creativity will take place
once I've started putting my exhibition up. The processes that I completed
throughout this project were: wet felting, knitting, weaving, needle felting,
batik, collage, puff binder, screen printing, hammered flowers, pressed
flowers, sewing, heat transfer, devore, gouache painting and fine liner. All
these processes were really fun to do and all gave totally different results.
My favourite of these was hammered flower printing, it gave the appearance of
real life painted flowers even though it was the flower petals that were
hammered onto paper using there natural petal dye for the paper to soak up
(water colour paper was the most effective). Also drying out flowers for my pressed
flower booklet was quite effective but difficult to do because it took ages,
also the laminator kept getting stuck every time I laminated the pressed
flowers. The end results were stunning nevertheless. All my knitting and
weaving samples went really well and didn't take long to make. However my
screen printing samples went slightly wrong because some of the screen wasn't coated in emulsion and because I was rushing quite a lot I didn't put masking
tape over the exposed areas. This meant that some of my samples went slightly
wrong but thankfully I managed to improve them by adding different layers to
the print. When it comes to my final piece I will take more time to perfect my
print my washing my screens regularly and placing masking tape to where it is
needed. Only thing I would change is to take better care of my samples by
allowing more time on them, but apart from that I think I produced a wide
variety of well presented samples.
I believe I managed my time really well and
have produced a lot of work to a good standard. I have helped myself improve my
time by creating tasks and goals for each day of the week to keep me on track
(time management and diary), I also took advice from peer assessment by
creating a questionnaire for my friends about my FMP progress. I believe I have
done most of the things I intended to do with plenty of time even though I was
a bit lost at the beginning of the project because it was an independent brief.
I have learnt to work more independently only asking for help and advice when
needed. This also really helped me develop confidence for the rest of my
project. I believe I used by blog effectively because I did mini evaluations on
each piece of work throughout my project making it easier for my FMP
evaluation. It has also given me confidence with my work by showing the public
what I can do. Even though due to time I haven’t been blogging throughout my
project leaving it to the last few weeks, I still managed to write about all my
work just in time for hand in date. Blogging about my work is really useful for
my future and I will definitely continue to blog about every piece of work I
ever do.
I am 100% satisfied with my overall project because I have done most things
and more that I set out to do. It has stretched my skills and abilities and
taught me new things about my creativity that I never knew before. I have loved
doing this project because as adults it has given us the freedom to show off
our individuality and style in whatever topic we desire. Basing my project on
flowers was both amazing and fun because I am so passionate about our
surroundings that we most often take for granted. I hope throughout this
project I have showed off natures design by taking something that is so extraordinary
and putting a creative modern twist on it.
My strengths were with knitting and
felting, I became addicted to these techniques as I have found a love for them
which I will continue to do in the future. My weaknesses were screen printing purely
because I rushed to get a lot done without concentrating on obvious mistakes
that could have been easily avoided. However I think I have a strong screen
print design (tracing) and I will definitely take my time when it comes to my
final pieces. Only thing that I could have done better to improve this project
would be to spend more time on my printed samples to get them to a perfect
standard. Apart from that I think I've done everything else to the best of my
ability. I have done everything I had set out to do from my proposal such as
experimenting with the presentation of flowers in a variety of ways and to make
my project really colourful. The only things I struggled doing was embroidery
due to the size of the fabric and time keeping, and also needle felting and
weaving because I found it really boring and lost interest quite quickly. However
I still created two small samples just to show I had tried it. Originally I was
going to create loads of needle felted samples but I found that the felt wasn't really securely attached and because I wanted something quite strong and stable
for my final pieces I tried making wet felted flowers sewn on to fabric. This
technique looked so much more creative and would last. I handled the huge
amount of work by setting myself challenges for each week. On some weeks it wouldn't go to plan but I always managed to complete everything for when it was
needed. I kept a weekly diary and took some breaks so that I didn't freak out,
although some weeks I was more stressed than others. Even though I wished I
kept blogging all the way through my project I still managed to evaluate everything
before doing my big evaluation which helped a lot. I feel I was more organised
in this project because it was totally up to me what I was going to produce.
There wasn't a lot of pressure because being an independent project it meant
that I was my only competition and the good grades were my goal.
If I was to do
it all again I wouldn't change anything because the amount of work I have produced
has shocked me because I didn't think I had it in me to push myself that far. I believe I have produced a really good, well presented project that hopefully
the public will appreciate when I have it on display. I am proud of myself and
my creative abilities and can 100 % say that this has been a roller coaster of
emotions. However I have always managed to pull it out of the bag and produce an
excellent project that I am proud of. For my exhibition I will hopefully be
making three large printed samples with felted flowers stitched onto them and
five small A5 samples to present in frames. I am unsure at the moment how
everything will be presented but I definitely want to show my printed baby
clothes and my knitting and felted pieces for my display.
Evaluating My Screen Printing Samples...
4. Cotton. This sample is quite strong for the background and again the puff binder bubbled up. The screens didn't really line up correctly but it looked quite effective because the colour came through the other layers. I like the strong turquoise colours against the strong pink background.
5. Cotton. This sample went wrong because I didn't wash my screen straight away meaning excess pigment from the previous print smudged in other areas of the print. The pink didn't print in line with the other screen at all and there was smear marks allover the print from the blue screen. Overall this wasn't a very successful print.
6. Cotton. I really like this sample because I love the ocean turquoise colour. The blues and pinks are very vibrant and I like how the prints overlap. On this sample some of the pink didn't print properly because the screen had too much pigment on it, therefore I had to hand paint some pink onto the faded areas. Only problem was the pigment dried quite thick.
7. Heavy Calico. This sample is on plain calico, I like this design because it was very easy to do and the blue stands out against the beige colour. If this was a print on a big piece of fabric repeated it would look effective. The simplicity really stands out because the background doesn't draw your attention away from the actual print.
8. Heavy Calico. This is my least favourite sample because I only used one screen rather than having another colour within the main screen. This print is quite boring in my opinion. If I could do it again I would add another colour within the main screen possibly a contrasting colour to make it stand out.
9. Cotton. This sample didn't print well at all, the ink smudged quite a bit and the empty spaces need filling. Overall this sample isn't successful because I didn't wash my screens straight away meaning it picked up excess pigment off other pigment colours.
10. Heavy Calico. I quite like this sample because the shades of blue were quite similar in colour meaning it was quite a subtle beautiful sample, but still visible to differentiate between. However the colours don't really fit in with my colour scheme. This sample printed slightly better but I had to hand paint some of the pigment in the faded parts of the design.
11: Medium Calico. This sample is similar to the previous sample but just lighter in colour. This didn't print brilliantly because the screens didn't line up properly and some of the printed colour wasn't sharp enough. As an experimental sample I don't feel it turned out too bad.
12. Cotton. On this sample I completely messed the lining up of the screens but strangely enough it turned out quite good because the messed up screen added more pattern to the print (blue Pigment) sometimes mistakes make the best prints and that is a lesson I have learned from many of my samples but recreating those mistakes isn't so easy.
13. Devore Velvet. This is one of my favourite samples because the pattern shows up beautifully from where the fibers have been burnt away. Once the paste had naturally dried I put it on the heat press for 20 seconds and then I washed away all the fibers revealing the pattern. I then added procion dye to the velvet which looked quite dull at first. I then realised after letting it dry if you put it back on the heat press the colour shows up shimmering and stunning from the vibrancy of colour in the fabric.
14. Devore Velvet. This sample looked really effective with the strong turquoise colour but unfortunately the devore paste went through part of the screen that wasn't coated in emulsion properly meaning it left a big line through the print. However the rest of the design is really pretty.
15. Heavy Calico. This sample was a bit of a disaster at first because the fabric wouldn't flatten properly because of the batik background, so when it came to printing with permaset pigment it smudged quite badly. To resolve this issue I decided to make the background really busy so it was full of pattern. I then decided to print puff binder on top to make a clearer image, however I remembered that puff binder doesn't work well on top of permaset pigment so it bubbled up slightly. The more I look at this larger sample the more I like it, its quite Gothic and stylish at the same time.
16. Heavy Calico. This was just an experimental sample that I ended up liking a lot because it was a layered print consisting of black, blue and pink pigment. However instead of leaving it I decided to add another layer to it by adding turquoise, this slightly ruined it because the patterns on this print were no longer clear.
17. Heavy Calico. This sample was fairly simple to do and looks quite effective. However if I was to do it again I would use permaset pigment pink rather than normal pigment pink because the pink is slightly too bright and the colours look cold and harsh together.
18. Medium Calico. On this sample I really liked the warmness of the colours combined. I like how the blue overlaps the pink bit of the print making it look a navy blue rather than a turquoise colour. The overall effect of this print looks really girly and would look great in a young girls bedroom.
19. Heavy Calico. This sample didn't go very well because the turquoise screen smudged quite a bit. Making the print slightly messy, however I like the combination of colours against the plain background because you can see the detail of the patterns clearly.
20. Medium Calico. This sample I quite liked at first because the colours were really unusual together against a fuchsia pink background. I tried to print another layer of black on top of the other colours but this made it look really messy so I quickly rinsed it under water to get rid of the black and somehow it worked, and I got my original print back. I then heat pressed it after it was dry to secure the colour.
21. Heavy Calico. I like the combination of vibrant colours on this print but again the screen didn't line up properly and the turquoise pigment smudged because I didn't wash my screens often enough. I also had to hand paint parts of the print where it hadn't printed properly Because it gave a faded appearance to the print.
22. Scrap Material. This sample was really easy to print because it was on a really thin scrap piece of yellow cotton. In my previous experiments I've realised that printing on cotton works better than calico because pigment sits on top of the fabric better or soaks into it better. I also really like the black and bright pink on this sample because it stands out strongly.
23. Heavy Calico. I like how the background colour has hints of lilac and baby blue peeping through the black and pink patterns. This background was really easy to do because as soon as I dyed it I washed away the colour straight away. This gave the fabric a hint of soft pastel colours which I really ended up liking.
24. Heavy Calico. The background on this sample is slightly too dark because the pink pigment is quite difficult to see. I should have used permaset pink which would show up really bold on top of the fabric. I also printed the screens completely out of line but strangely it looks quite effective with the subtle colour showing through.
25. Heavy Calico. This sample would be great for a furniture covering because of its subtlety but not as an exhibition piece because the colours are quite dull and too dark. It didn't print very well and I feel it would have looked a lot better if I had a really bright contrasting colour so that some of the detail could stand out better.
26. Heavy Calico. This is my favourite sample because all the colours together are bright in colour and happy. The shades of orange and yellow give a different appearance all way through the design which looks really nice. The pattern stands out perfectly so I've decided to use this sample for one of my final pieces but on a larger scale. I will be producing three panels of different printed calico using various dyes, techniques and screens.
Thursday 22 May 2014
Ingredients For My Screen Printed Samples...
Fabrics Used:
- Heavy Viscose Satin x2 A4
- Devore Velvet x2 A4
- Cotton x6 A4
- Heavy Calico x11 A4
- Heavy Calico x1 A2
- Baby Clothes x3
- Medium Calico x3
- Scrap material x1
Procion Dyes Used:
- Blue Mx2G
- Red Mx5B
- Turquoise MxG
- Green Mx2B
- Blue MxR
- Orange Mx2R
- Yellow Mx3R
Pigment and Ink Used:
- Permaset Black
- Permaset Mid Red
- Minerprint Brill Pink 5BTL Pigment
- Q Print 4G Turquoise Pigment
Techniques Used:
- Puff Binder plus pigment colouring on some samples (puffs up when heat is applied)
- Batik (melted wax to draw with)
- Screen Printing
- Devore Paste (Burns away fabric fibers revealing pattern)
All samples are overlapped prints using multiple screens and multiple colours and techniques.
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